Street Girls Can Be Such Grifters
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About: Aware of the power of external display, and deeply imbued with a knowledge of human nature, the proprietor of the STREET GIRLS CAN BE SUCH GRIFTERS (hereby known as SGCBSG) rivets the attention of passers-by through the gratuitous exhibition of her unbounded collection...

The M.O.: Field notes from the dark underbelly of [usually slapdash web-based] research and whatever else found interesting on any given day.

whataboutbobbed:

NYPL Labs is proud to bring you the Stereogranimator, a tool for transforming historical stereographs from The New York Public Library’s vast collections into shareable 3D web formats. This site is all about your participation, so have fun with it, experiment with it, and let us know how we can improve it. In fact, this project wouldn’t even exist if it hadn’t been for a user like yourself getting creative with library collections. Here’s the story of how that happened

NYPL Wire, well worth the follow

(via subculturalfille)

From an emailI received about music piracy:

A musical “file” is not an item. It’s a piece of information that is stored on your computer. Providing information, although it is a useful service that can be charged for, is not like creating a tangible thing; once you share information you have no say in how the person chooses to use that information and if they wanted to give it to someone else for free. That would be like saying people who shared a secret that you told them not to tell—in a sense, copying and distributing the information you provided them— be imprisoned for the same amount of time as a carjacker. Computer files are no different. It’s all information.

bbook:

HAPPY BIRTHDAY MY LOVE, I’M GOING TO ROLL AROUND IN A BED OF DOUGLAR FIRS IN YOUR HONOR.


One of my top ten men of all time. Part of who I now am stems from how David Lynch as an artist impacted my life when I was 11 or 12.

bbook:

HAPPY BIRTHDAY MY LOVE, I’M GOING TO ROLL AROUND IN A BED OF DOUGLAR FIRS IN YOUR HONOR.

One of my top ten men of all time. Part of who I now am stems from how David Lynch as an artist impacted my life when I was 11 or 12.

(via fuckyeahdavidlynch)

1000scientists:

The ruins of Detroit, Michigan — Yves Marchand and Romain Meffre document what remains of a once-great city

Pictures I’ve been obsessed with for well over 5 years

(via loveyourchaos)

“After all, what is the difference between pretentiousness and seriousness? Only a contract between the speaker and the author. People call things “pretentious” in order to put them in their place; if a thing has been conceded to actually occupy a place of seriousness, it’s immune from charges of pretension.”

John Darnielle (via insomnius)

Yes. Correct.

(via andrewtsks)

(via andrewtsks)

Dali and Hemingway as depicted by Adrien Brody and Corey Stoll in “Midnight in Paris”

I see a Rhenocéros! (by borzcorp)

Adrien Brody as Salvador Dali in Woody Allen’s “Midnight in Paris”.  This was a wonderful moment in a very amusing film for the Miniver Cheevys in all of us.

(Source: throughthickanddthin, via subculturalfille)

C. dances like the bastard child of Iggy Pop and Bob Pollard

[Flash 10 is required to watch video]

@hipsterkidprobs dances himself clean to LCD Soundsystem

printed-ink:

From Madeline by Ludwig Bemelmans.

printed-ink:

From Madeline by Ludwig Bemelmans.

(Source: allthedaysordained)

“There was no such thing as society and even if there was, I most certainly had nothing to do with it.” — Renton (Ewan McGregor), in the film version of Trainspotting (1996)
(Himself quoting Margaret Thatcher, from Women’s Own magazine, October 31 1987.)

“There was no such thing as society and even if there was, I most certainly had nothing to do with it.” — Renton (Ewan McGregor), in the film version of Trainspotting (1996)

(Himself quoting Margaret Thatcher, from Women’s Own magazine, October 31 1987.)


The Return of the Mona Lisa to the Louvre after the war, Paris, 1945

The Return of the Mona Lisa to the Louvre after the war, Paris, 1945

(via loveyourchaos)

artgalleryofontario:

Still Life with Pipe, 1918 Juan Gris (Spanish) Painting, oil on canvas,  57.5 x 45 x 4 cm  Gift of Sam and Ayala Zacks, 1970

artgalleryofontario:

Still Life with Pipe, 1918
Juan Gris (Spanish)
Painting, oil on canvas, 57.5 x 45 x 4 cm
Gift of Sam and Ayala Zacks, 1970

“How much of my brain is willfully my own? How much is not a rubber stamp of what I have read and heard and lived?” —Sylvia Plath  (via zacheser)

(Source: tapingletters, via loveyourchaos)

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